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Exegesis

This blog site is created as part of a web presence, an experiment in self-branding and identity construction according to Alice Marwick (2013, p356). Another useful reference is John Potter’s “storying the self” in Digital Media and Self-curatorship (2012, p31).   This exegesis attempts to discuss the application of basic narrative and design principles.

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Hello

According to Anne Helmond (2010) ' Identity 2.0: Constructing identity with cultural software', identity is constantly changing and evolving.  It is also 'indexed' and searchable.  As a media professional with a portfolio of published cartoons, applications and game designs, animation and media startups, "Art direction" is an integral and assumed part of this identity.  However, coming in as an "outsider" from the art community, having studied computer science instead, presenting a deep passion and dedication for art - as the "ianpressionist" - could do well to complement the "ianimator" identity. The title itself is inspired by a book I my mother gave me as a child, The Impressionists by William Gaunt.  The book cover font also left an indelible impression on me.  The website title font encapsulates this.  In the absence of formal art credentials, my personal branding utilizes my deep personal connections with art.

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Hello

I travelled to Arles in the south of France specifically for this shot.  The room, decorated to resemble Vincent Van Gogh's "Bedroom in Arles" was available on Airbnb and this cover picture is now an artefact of my Identity 2.0, an instagrammable representation of my passion for art.  Of course, Van Gogh is not exactly an impressionist, but that is the best wordplay can do for now.  Additional Identity 2.0 attributes include inherent skills.  Photoshop and design skills are applied to first superimpose the 4 great artists self portraits into the photograph via the open window, and then the photo carefully aligned with the public domain "Bedroom in Arles" picture to give the impression that I am seated seamlessly within the painting.

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